logo-xls

French Decorative Bookbinding - Eighteenth Century

Luc-Antoine Boyet 1688 Breviarium

click to enlarge


(click on this image to see an enlargement)

I bought the Breviarium shown above over 10 years ago and now I cannot find the any details in my files other than it was printed in 1688. When you search in WorldCat for a 1688 Breviarium there is only one Breviarium Romanum ex decreto sacrosancti concilii Tridentini restitutum, Pii V. pont.max. jussu editum, et Clementis VIII. primùm, nunc denuò Urbani pp. VIII. auctoritate recognitum. Antverpiae, Ex officina. Plantiniana Balthasaris Moreti, 1688. When I bought it I doubted that it could be a Boyet binding, now after these pages of research there is no doubt in my mind. In Comparative Diagram 1, we compare this Breviarium spine panel with two others that are almost certainly from 1688.



click to enlarge


(click on this image to see an enlargement)


Comparative Diagram 1 - Boyet 1688 spine panels


click to enlarge


(click on this image to see an enlargement)


Comparative Diagram 2 - Boyet 1688 corner imprint examples


Looking closely at the spine panels in Comparative Diagram 1, you will notice that the corner imprints all look to be the same. In Comparative Diagram 2, I have extracted the corners from our Breviarium, here we see at last the complete corner tool, this tool is found on several of the bindings we have looked at, it is certainly one of Boyet's favorite early tools for large sized bindings, and thus deservers a careful study



click to enlarge


(click on this image to see an enlargement)


Comparative Diagram 3 - Boyet 1688 edges


There are so many fantastic experiments that you can make if you have one of these precious bindings in your laboratory. In Comparative Diagram 3, I have assembled the edges and aligned them to find matching features and then calculate the length of this roulette to be about 8.75 cm. I thought that this roulette looked a lot like the Isabelle de Conihout & Pascal Ract-Madoux 2002 palette II, however in Comparative Diagram 4, you can see that there are probably differences, the guards between the raised pods appear to have shoulder pads in this 1688 example, where as in palette II, they do not. Notice also that the 1688 pods (when you can see them) show an oscillation of one empty and one with a seed.



click to enlarge


(click on this image to see an enlargement)


Comparative Diagram 4 - Boyet 1688 edge roulette vs Isabelle de Conihout & Pascal Ract-Madoux 2002 palette II


click to enlarge


(click on this image to see an enlargement)


Comparative Diagram 5 - Boyet 1688 edge roulette detail


Now I have added Comparative Diagram 5 to make these details more visible, the (a-1) to (a-3) pods are empty and the (b-1) to (b-3) pods contain seeds. The blue dot and arrow point to a satellite dot that is accidentally attached to a leaf, the red dot and arrow pointing to an unusually large separation of these dots. The yellow dot and arrow pointing to a unantisipated deflection in the leaf curvature. The green arrow pointing to the shoulder pads. Another noteable feature of this roulette is that the oscillation in the pods also takes place at the ground level where the (a) units appear to have a pointille stem with 4 segments emerging from a leaf platform, in contradistinction to the (b) units that have a stem with a crowning bud. Altogether then quite a bit different compared to palette II.



click to enlarge


(click on this image to see an enlargement)


Comparative Diagram 5 - Boyet 1688 decorative endpaper


We can see this same edge roulette used as an inner dentelle in Comparative Diagram 6, here we see also some spectacular decorative endpapers, I have discussed this endpaper on another page. (click here to see it). When I bought this Breviarium in 2008 I did not know enough about Boyet to imagine that he would use the fleuron shown in Comparative Diagram 6, however now that I am fully convinced that this is a binding by Boyet, I find another proof in the British Library, where we see this very same fleuron on a confirmed Boyet binding, shelfmarked G4254 (click here to see it)



click to enlarge


(click on this image to see an enlargement)


Comparative Diagram 6 - Boyet palette XXI vs palette VII.


Now we come to the all important palette found on this 1688 Breviarium Romanum, I have not yet placed it in the Boyet palette catalogue so it will have to be number XXI. This palette is really like the big brother of palette VII.






Click here to see the next page...




Click here to see a page INDEX




Click here to see a page view INDEX





click here to return to the HOME page.




click here to see an INDEX of the 2017 pages.

see below links to previous work






Atelier I B 31/10/2014





Icons of the Renaissance 06/02/2014





Atelier au trefle 22/12/2014




Atelier Royal 1518 - 1524 09/11/2014





Unraveling G. D. Hobson's book on fanfares 27/11/2014





16c fanfare on eBay 23/11/2014




another Padeloup binding on eBay 07/12/2014


the last Padeloup fanfare?


Rare Padeloup binding on eBay 15/11/2014



Pierre-Paul Dubuisson's work attributed to Derone le jeune 23/10/2014 (unfinished work now finished)


Pierre-Paul Dubuisson's work attributed to Douceur 22/10/2014 (an under contruction page finished at last)


Louis-Marie Michon - the 1956 Disaster 19/10/2014 (an unfinished page finished at last)


Louis XII Dolphins motif 03/02/2014


Aristophanes Binder 1543 02/02/2014


Atelier des reliures LOUIS XII - Atlas Catalan 12/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Linacre bindings 05/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier c. 1500-1520


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Chronology 16/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 29 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 39 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The mysterious disappearance of François Tissard d'Amboise 23/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The Simon Vostre fiasco 18/01/2014


L'Atelier Simon Vostre 1486-1521 01/01/2014


L'Atelier de Pierre Roffet 1511-1533 - TOOL CATALOGUE 26/01/2014


L'Atelier de Pierre Roffet 1511-1533 27/12/2013


Pierre Roffet - fleur-de-lis binder 28/12/2013


Fleur-de-lis Binder 1525-1540 27/11/2013


Du Saix Master 02/12/2013


Atelier Étienne Roffet 1538-1549 12/12/2013


Atelier Jean Picard 1538-1547


Imitative Binder c.1540 15/12/2013


Salel Binder 1540 17/11/2013


Atelier Ruette 1606-1669 INVENTORY


Atelier Macé Ruette 1606-1644


Atelier du Maitre Doreur 1622-1638


Atelier Antoine Ruette 1638-1669


Atelier des Caumartin 1652-1715


Atelier de Charenton 1670-1685


Atelier Luc-Antoine Boyet 1685-1733


Atelier Antoine-Michel Padeloup. dit Le Jeune 1685-1758


Atelier Louis Douceur 1721-1769


Atelier Pierre-Paul Dubuisson 1746-1762


Atelier Nicolas-Denis Derome, dit Derome le Jeune 1761-1788


Atelier Jean-Pierre Jubert, 1771-1793?


Atelier MM binder, 1770-179-?





A word of Caution

Even experts are sometimes wrong, before you spend thousands on a book, please do your own research! Just because I say a certain binding can be attributed to le Maitre isn't any kind of guarantee, don't take my word for it, go a step further and get your own proof. In these pages I have provided you with a way of doing just that.

Virtual Bookings, created by L. A. Miller return to the Home page of VIRTUAL BOOKBINDINGS

l.a.miller@mail.pf