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French Decorative Bookbinding - Eighteenth Century

Pierre-Paul Dubuisson


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HISTOIRE UNIVERSELLE 1744
Reliure aux armes du Duc d'Aumont
5 CARTES Tome V in-4


My next task was to try to find some detail in the Dubuisson rodeo palette that will enable us to identify it. First I had to assemble some high resolution copies that can positively be identified as authentic, this was no easy task working with photos and scans. Surprising that I have not done it before, however doing it now I noticed a number of interesting details not only in the palette but also in the Dubuisson tooling that are usually framing them.



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(click on this image to see an enlargement)



Comparative Diagram 1 - Dubuisson rodeo palette examples at 600 dpi



In Comparative Diagram 1, we see green arrows indicating some particular eccentricities that are delineated in the diagram below. The first observation is that the fleuron centered at (E) appears to have a smaller right arm, this lack of symmetry makes it easy to recognize, besides that, the top half has been shifted to the right so that it is not centered on its base, shown by the center line at (E) this results in an open space between the top and the base, shown by the arrow (B) looking at the examples above this space is a bit more obvious. While the fleuron at (D) is just the opposite, the top being slightly off center to the left and a space appearing between the top and the base at (A). The letter (C) indicating another off center feature. Now armed with these distinct features we are going to compare them with the eBay example.



1000 dpi







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Comparative Diagram 2 - eBay 1744 tomb palette vs Dubuisson rodeo palette


The best laid plans of mice and men... after trying to find fleuron (B) in the eBay palette example at the top of the page, I was beginning to think that these palettes do not match the Dubuisson palettes, further to this the framing tools Dubuisson often used were simple dashed lines, actually perhaps a fillet that has been cut so as to make a series of dashes, yet we do not see these in this eBay example, whereas almost all of Dubuisson's bindings seem to have them. I was almost ready to give up but finally tried another thing. I wanted to check that the palettes were actually the same size. This can only be done by rescaling photos with scans. The results indicated that the palettes were the same size and so I thought there must be an explanation somewhere, finally In Comparative Diagram 2, I have managed figure out this puzzle. Fleuron (B) is missing from the eBay palette because Dubuisson must have used a different part of the palette which must therefore be longer. This is only my theory, examine closely Comparative Diagram 2 for yourself and see what you think. The gold colored strips are of course from an authentic Dubuisson binding while the 4 lighter colored strips are from the 1744 eBay binding tomb label, I have rotated the top strip so that all the palettes are viewed from the same direction, there are 4 in number because I have used 2 photos of the same label however one was taken with the light source at a different angle to try to show possible differences. The secret is to find the location of line (C). On the next page we will look at the inner dentelle, hopefully I will find a matching Dubuisson roulette somewhere.


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click here to see an INDEX of the 2017 pages.

see below links to previous work






Atelier I B 31/10/2014





Icons of the Renaissance 06/02/2014





Atelier au trefle 22/12/2014




Atelier Royal 1518 - 1524 09/11/2014





Unraveling G. D. Hobson's book on fanfares 27/11/2014





16c fanfare on eBay 23/11/2014




another Padeloup binding on eBay 07/12/2014


the last Padeloup fanfare?


Rare Padeloup binding on eBay 15/11/2014



Pierre-Paul Dubuisson's work attributed to Derone le jeune 23/10/2014 (unfinished work now finished)


Pierre-Paul Dubuisson's work attributed to Douceur 22/10/2014 (an under contruction page finished at last)


Louis-Marie Michon - the 1956 Disaster 19/10/2014 (an unfinished page finished at last)


Louis XII Dolphins motif 03/02/2014


Aristophanes Binder 1543 02/02/2014


Atelier des reliures LOUIS XII - Atlas Catalan 12/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Linacre bindings 05/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier c. 1500-1520


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Chronology 16/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 29 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 39 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The mysterious disappearance of François Tissard d'Amboise 23/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The Simon Vostre fiasco 18/01/2014


L'Atelier Simon Vostre 1486-1521 01/01/2014


L'Atelier de Pierre Roffet 1511-1533 - TOOL CATALOGUE 26/01/2014


L'Atelier de Pierre Roffet 1511-1533 27/12/2013


Pierre Roffet - fleur-de-lis binder 28/12/2013


Fleur-de-lis Binder 1525-1540 27/11/2013


Du Saix Master 02/12/2013


Atelier Étienne Roffet 1538-1549 12/12/2013


Atelier Jean Picard 1538-1547


Imitative Binder c.1540 15/12/2013


Salel Binder 1540 17/11/2013


Atelier Ruette 1606-1669 INVENTORY


Atelier Macé Ruette 1606-1644


Atelier du Maitre Doreur 1622-1638


Atelier Antoine Ruette 1638-1669


Atelier des Caumartin 1652-1715


Atelier de Charenton 1670-1685


Atelier Luc-Antoine Boyet 1685-1733


Atelier Antoine-Michel Padeloup. dit Le Jeune 1685-1758


Atelier Louis Douceur 1721-1769


Atelier Pierre-Paul Dubuisson 1746-1762


Atelier Nicolas-Denis Derome, dit Derome le Jeune 1761-1788


Atelier Jean-Pierre Jubert, 1771-1793?


Atelier MM binder, 1770-179-?





A word of Caution

Even experts are sometimes wrong, before you spend thousands on a book, please do your own research! Just because I say a certain binding can be attributed to le Maitre isn't any kind of guarantee, don't take my word for it, go a step further and get your own proof. In these pages I have provided you with a way of doing just that.

Virtual Bookings, created by L. A. Miller return to the Home page of VIRTUAL BOOKBINDINGS

l.a.miller@mail.pf